-Imperial Infantryman's Guide to Planet-Side Leave
Ruug blinked a little as the red lights on the club's door flashed furiously in his eye and took a deep drag on his lho-gar. Then he grunted knowing he was about to teach this piss-ant hummie why you don't touch the girls...
So the tens of you that read my blog may have noticed last week that I failed to post. That's because I was getting ready for a couple of painting classes at the NOVA Open with Alfonso Giraldes, a/k/a Banshee. If you are not familiar with his work, he has worked for: Nuts planet, Big Child creatives, Forgeworld, Knightmodels, Andrea Miniatures, Scale 75, Sergeant BlackArt, Ron&Bones, Coolminiornot, Artefaktory, Kabuky models, Tale of War, Ares Mytologic, and Pizarro Miniatures. In other words, the dude can paint. In fact, go check out his Putty and Paint gallery.
He's also a pretty cool dude |
I have taken classes with a wide variety of teachers. But, generally, painting classes tend to fall into one of two categories: they are a step by step class to do one particular thing or set of things, or they are less structured and more art-y. The former are more common, but the later are often much more useful for someone like myself--although they are both, imho, important.
I took the Bust class on Friday and it lasted all day. The Freehand class was Saturday in the early afternoon. The Bust class began with a lot of talk about art. It was pretty clear that Banshee is in this to be an artist. We did a lot of comparison between random models from CMON, his own photos, those of Kirill Kanaev, and his favorite painter Sang-Eon Lee. We also compared lots of photographs of people under various lighting. One of the things Banshee stressed was zooming in on all the photos and analyzing how real people do not have smooth blends. As he says "fuck smoothness."
After the class, but before I finished |
After we finished with the black and white, we applied the colors. He also stressed the use of artist's heavy body acrylics and acrylic inks to get more vibrant colors that stay live longer on the palette. I won't go through his method here because, well, I can't do it justice. But it definitely provided lots of new insights.
The Freehand class was, in many ways, very similar to the Bust class. We began by discussing theory and what exactly constituted freehand. I found this to be very eye-opening. In the past, I've really only considered it to be these intricate designs on banners or the backs of capes. But it can also include lots of other things, such as painted on texture.
Once we got to the "how-to" part, the class basically became a drawing class. I found this really useful because I don't know how to draw! So things like grid lines and increasing definition over time were all new to me. I, quite erroneously, kind of just assumed people who draw do it right the first time. Oops!
He did this to show us how to add levels of definition |
Overall, I am fairly happy with how the bust came out. I see a lot of room for improvement and I'm not sure Banshee will want people seeing this in relation to his class...they might get the wrong idea! But even a great teacher can only do so much with a weak student 😂Although I don't know that everything I learned will make it into my painting arsenal, to quote my friend Darkblade quoting the late Bruce Lee, "absorb what is useful." And there was a lot that was useful.
So, if you get the chance, I highly recommend taking one of Banshee's classes. You can check out his tour dates on his Facebook page and Instagram page.
Great work Andrew!
ReplyDeleteGreat write-up, man. Gutted I couldn't be there, TBH. Hoping to make it next time.
ReplyDeleteThanks!
DeleteI think I'm in the same boat as you Andrew. I don't consider myself a great painter, just managing to pull something out of the bag every so often.
ReplyDeleteI'd love to attend one of these classes as I really struggle with knowing where to highlight.
It looks like the lesson really paid dividends. The bust has some really interesting elements to it and it's far better than I could have achieved with skin.
Thanks for sharing :)
Thanks, he has 3 busts he uses for this class and they're all pretty interesting.
DeleteVery interesting stuff. You are a very good painter, but I understand the feeling of not being, and wanting to be, an artist. I like your explanations of the things you did. Very thought provoking. I need to go back and try different things. It's easy to fall back on what you think you know as a painter.
ReplyDeleteYeah, and pushing yourself out of your comfort zone was something else we spent a while discussing. It's hard, but important.
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